Sunday, August 29, 2010

THE BIG HOUSE + THE LANDMARK CAFE + PARADE DAY

In Ireland, the phrase “The Big House” is historically laden with baggage—political, social, economic, cultural—associated with the mansions (and sometimes castles) that dotted the countryside as homes to mostly Anglo-Protestant landholders whose identification and self-identification with Great Britain emblematized the conflicted relationship between colonizing Britain and colonized Ireland.

Believe me, then, when I say that we have our tongues firmly planted in our cheeks when we call our summer farmhouse rental on Prince Edward Island “The Big House.” By PEI standards it is a fairly substantial residence—especially for a farmhouse more than 150 years old: it includes 5 bedrooms , 2.5 baths, 2 parlors, a dining room and a spacious modern kitchen . . . all fully updated by its current owner (a descendant of the original owner . . . of Irish stock, I might add). Oh yes, there’s also a little room at the front of the house, in that little centre gable on the second floor—apparently this was known as “The Priest’s Room” because back in the day the priest coming out from Charlottetown on Saturday evening to say Sunday mass at St. Martin’s Church (about a mile up the road) would stay over in that room. The house is perfectly located for our vacation—a short walk across a road and down a lane to the south shore beach that I grew up on and that our daughters have known for their entire lives. We first rented the farmhouse in 2004 when another rental we had arranged fell through: we just spent our 7th family vacation under its roof . . . and expect to keep returning to it as our “summer home” well into the future.

A few years ago I took a photo from the back steps of the Big House that continues to please me. It shows the various barns and sheds still standing on the property: they’ve been repainted recently, but in this photograph they reflect the Island tradition of farmers painting the corner trim red on outbuildings so that they would be able find their way to them to tend to the livestock during winter blizzards. Or so my sister told me many years ago: she was working as a guide on a tour bus at the time, and such arcane knowledge was essential to her spiel. She also told how the cattle were complaining about the new technology at the time that allowed hay to be rolled into bales rather than cubed: apparently the cows claimed that they could no longer get “a square meal.”

As usual, this year’s version of our annual pilgrimage to PEI was filled with highlights involving family and friends—including various dinner gatherings at The Big House. Despite having only one week to squeeze in a whole year’s worth of visiting and general holidaying, we also managed to get “out and about.” One especially nice outing was a jaunt to the attractive village of Victoria-By-the-Sea for a meal at the Landscape Café. My wife and I had eaten there once before—around 20 years ago (it has been open for 21 years)—and our return visit with our daughters and my father was well worth waiting for: tasty food served up in the interesting atmosphere of a renovated general store.

One other “detail” of our visit worth mentioning is the Gold Cup and Saucer Parade, which for almost 50 years has added pomp and circumstance to the culminating harness race of the year at the Charlottetown Driving Park. The Gold Cup and Saucer Race also marks the end of Old Home Week . . . which in turn pretty much marks the end of summer on the Island. This year—for the first time since 2007—I marched in the parade as a member of the Charlottetown Community Clash Band . . . an intentionally ragtag gathering of local musicians (well, many of us are “former” music students) who have been showing up and creating a scene for the past 20 years or so. What we lack in rehearsal time we make up with enthusiasm and energy. Last year I watched the parade from the sidewalk and realized that I had more fun in previous years when I marched. So I found my old saxophone under a bed in my boyhood home, went to one of the two rehearsals, and then stepped out with a rush of adrenaline when the drumrolls started. Could there be a better way to observe the end of summer?

1 comment:

senegirl said...

Love this post! Now who is the great photographer who captured the waving saxophonist? :)